怨妇

百米。

　　他，天生就跑得快。此外没有优于他人的地方了，但也觉得只要跑得快就足够了。得以立足于学校、成为交友的桥梁。这便是，这位少年的一切。而与他相遇的，是为了忘掉痛苦而跑步的少年。他跑得并不快，却有热情。被他的热情所感染，随后感受到了兴奋。可、这却是“异常”的开端。“100米”，让一切都变得疯狂。

天鹅中的狼

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

父母姐弟

　　疏离多年的手足被迫重逢，直面未解的心结，重新审视与情感疏离的父母之间紧张的关系。