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故事设定在20世纪90年代末的越南西南部乡村,讲述了年轻女子Lan(Phương Thanh饰)在父亲去世后,前往一位名叫Danh(Mạc Văn Khoa饰)的鳏夫家中担任女佣。她很快发现这座房子隐藏着可怕的秘密:神秘的死亡事件接连发生,村庄中流传着关于“守财灵”的传说——一种通过黑暗仪式召唤的灵体,用于守护财产,但会对陌生人造成致命威胁。Lan与一位名叫Sơn(Quốc Trường饰)的恐怖小说作家联手,试图揭开这些离奇事件背后的真相。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
麦可(狄恩肯恩饰)在路上搭载了年轻性感的正妹(克莉丝汀波森饰),麦可原先认为漫漫公路有正妹相伴艳福不浅,自以为遇上了豔遇的他,却不知道自己即将陷入一连串的阴谋及杀机,一趟没有终点的旅程即将展开… 故事描述一个男人在路途中载了一位年轻的女人,原来只是好心借人搭便车,结果男主人公却发现自己陷入了一场可怕的午夜梦魇…… If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick! A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway. Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.
网坛新星Zosia,绰号Just Sophie,发现她的男朋友,流行的YouTuber Komfi有外遇。当背叛曝光,普德莱克被揭露时,女孩决定接受深受网友喜爱的维奥拉的邀请,和她一起去国外旅行,以获得赞助商的钱。Zosia访问了塞浦路斯、伊维萨岛、马耳他、希腊和意大利的独家度假村,为粉丝的影响力和关注而战,加入了波兰影响者的精英行列。不幸的是,当她的前男友与性感的健身博主宝拉有染时,她与前男友的爱情丑闻变得越来越大,维奥拉的黑暗过去又回来困扰着她。当有趣的细节和隐藏的秘密浮出水面时,Zosia将面临一个难以接受的事实,即她如此渴望属于的环境。
百年前万灵古城遭黑水军团操控的麒麟居戮,女王妙清封印麒麟后难产离世。百年后,其遗孤苍雪貌丑家贫,在忠义堂备受排挤,暗恋陌千禾,机缘下救了龙族皇子诺,获三个愿望。随着假公主阴谋、麒麟解封,古城再起危机,苍雪在蜕变中揭开身世,携手伙伴对抗幕后黑手,拯救古城。
自幼能够看到恐怖幽灵的八神森司(中山优马 饰),在高中时邂逅了被神秘鬼影纠缠的后辈小历(岛崎遥香 饰)。他虽然喜欢对方,却由于自身胆怯的性格始终无法表白。第一年没有考上大学,经过一番努力森司如愿进入期望的高校,并且和小历重逢。在此期间,他听说小历和童年好友加入了某个超自然研究会,联想到高中的事件,森司无法对小历放任不管,于是也硬着头皮加入进去。这群个性满满的年轻人每天追踪各类神秘事件,不久后校园内开始出现离奇现象,而小历也成为恶灵狙击的目标…… 本片根据第19届日本恐怖小说大奖读者奖获得者櫛木理宇的同名作品改编。
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哪位大佬帮忙回忆一下,他之前是怎么毁容的忘记了
有群吗,有了@一下我
科技靠考古,不会这种蛊虫也是黑暗科技时代遗留的基因种子吧
怎么感觉今天这么幸运?太棒了,我爱死了
为什么我在网上刷到栖砚和灯萨塌房了
前面是谁说不爱吃豆芽菜的来着[:a滑稽:][:a滑稽:][:a滑稽:]
兰疯子不仅进前三甚至还能拿状元,开始期待那些人干老八了
在绝对的武力面前民意也会变的
这一画沈浪的两个老婆先后登场,含金量很足啊
拿图吱声呀[:a可爱:]