醉酒寄宿家庭

　　20世纪80年代，美丽的女大学生萨曼莎·休斯（乔塞琳·多纳休 Jocelin Donahue 饰）看上一间公寓，好心的女房东已经免去了麻烦的保证金，不过萨曼莎还是要为了每月的房租而努力。她从布告栏找到一份保姆的工作，当晚，萨曼莎的好友梅根（格蕾塔·葛韦格 Greta G erwig 饰）送她前往雇主家面试。梅根对这份工作颇有顾忌，而萨曼莎似乎急于赚钱，全不在意。　　雇主乌尔曼夫妇住在荒郊野外的一幢老式别墅中，这里没有小孩需要照看，文森特·乌尔曼先生（汤姆·诺南 Tom Noonan 饰）要为他生病的母亲找一位护理人员。萨曼莎起初惴惴不安，但看在钱的份上她最终选择留在这里。而她将为这个选择后悔莫及……

　　寂静深夜，Selly（Violenzia Jeanette 饰）、Jack（Ricky Harun 饰）、Tando（Zidni Adam 饰）三名喜好刺激的青年男女驾驶机车飞驰在公路上，突然之间，Selly的机车失控，她摔倒在地，身受重伤，昏迷不醒，Jack、Tando连忙将其送往医院。与此同时，来自日本的女孩幸子（苍井空 饰）正准备和当地的导游外出游玩，谁知却不小心用车门夹上导游的手，语言本就不同的二人也慌慌张张前往医院。不久之后，两组人马在这间有些阴森的医院内会合，隐隐约约中，一个留着长发却看不清面容的女人不时逡巡在幸子等人的周围。　　对于这几个有些倒霉的青年来说，恐怖而又爆笑的夜晚正慢慢拉开序幕……

　　莫兰（袁百梓卉 饰）拥有着一段悲惨的童年，很小的时候，她就失去了母亲，然而莫兰始终都不知道母亲究竟为什么会死，这场悲剧成为了莫兰内心里最大的谜团和黑洞。时间一年一年的就这样过去，一转眼莫兰便已经长成了亭亭玉立的少女，只是，她从未放弃过想要调查当年事件真相的额念头。　　尹正（林保怡 饰）是莫兰的师叔，在泰国经营着一家按摩院。莫兰千里迢迢远赴泰国寻找尹正，想要借助他的力量开始调查。哪知道来到泰国后，莫兰的身边开始接二连三的发生科学无法解释的诡异事件，甚至还发生了命案，而这一切都和母亲当年的死因有着千丝万缕的关联。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.