女员工的滋味
剧情简介
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这部灾难影片背景以现代日本为中心,主要描写东京突然被一股莫名的浓雾所笼罩,整个都会好像一下子消失了似的,各地政府及科研人员因此极为震惊,急忙组织起来研究对策。但是人们却无法穿越浓雾进入东京首都圈。这场浓雾形成了一个无法穿越的电磁屏障。而圈外的科学家们则在受损严重的军用侦察机上得到灵感,利用即将到来的台风和雷暴雨,加上人工大功率电磁干扰机,终于化解了这场戏剧般的非自然危机。 这原本该是一个不错的富有戏剧张力的构思,但拍出来的片子却教人不敢叫好,剧中女记者的角色刻划不具感染力,而她和男记者之间时好时坏的关系描写也让人感觉莫名其妙,确是让观众感觉象一场雾。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
职业罪犯小吉尔伯特·加尔文(乔什·杜哈明 饰)从美国监狱逃出并越过边境进入加拿大,在加拿大,他化名为罗伯特·怀特曼,有了新的身份。 在坠入爱河并结婚后,他声称接受了一份旅行安全顾问的工作,但他大胆的犯罪行为仍在继续。在他向终身黑帮成员汤米寻求投资后,他的事业变得更加复杂,他卷入了加拿大历史上最大的抢劫案,这使他成为跨国追捕的核心人物。
老张这集厉害啊,这手举人身份提醒得真牛逼,给主角送人情的情况下还能给皇帝好印象
朕的按头小分队呢
做~1~都~行~哦~
大的要来了!
亲密多了就是更的慢
抽到的盲袋
心胸狹隘的主角說人心胸狹隘[:a称赞:][:a称赞:]
为什么……为什么每次都是他俩主角受罪啊,如果没有主角光环……
宁政:竟敢逼宫,这已经不是一般的考生了,一空输,出动!
果然,自古以来天时地利人和缺一不可。虽然是剧情推动,但一直如此。