21岁的胜夏的偶像秘密日记

　　八个感化院的青年在两名警官的监督下，前往乡间一所破败的客栈中接受社区服务，但是他们的到来却无意中惊醒一个沉寂已久的恶魔。雅克布•古德奈特 饰（Glen Jacobs 格兰“凯恩”雅克布 饰），身高七英尺，体重四百磅，头骨里嵌着一个生锈的铁盘，锋利的指甲足够戳穿对手眼睛的精神病患者。　　雅克布四年前曾被警官弗兰克•威廉姆斯（Steven Vidler 饰）枪击头部，却侥幸逃生。如今弗兰克正是这群青年的督导员。弗兰克和孩子们的出现激起了雅克布屠杀的欲望，他举起巨斧，将客栈变作血腥的屠宰场……

 罗伯特.怀斯执导的该部灾难片根据真实事件改编而成。故事讲述一九三九年，一艘满载各式人等飞往纽约的德国造兴登堡飞船，在抵达纽约上空时发生爆炸，造成了历史上的大悲剧。

 脑子缺根弦儿的九能带刀（鈴置洋孝 饰）路过邪马台古董店，在店内看到了极为珍贵的凤凰蛋。传说只要拥有这枚蛋，便可领会到威力无比的魔剑凤凰剑。为了打败宿敌乱马（山口勝平 饰），成为至高无上的强者，九能强买下凤凰蛋。不过店主（北村弘一 饰）叮嘱，无论如何千万不能将蛋放在头顶，否则将由可怕的事情发生。不幸的是，乱马无意中将蛋放在了九能的头上，一只长相奇怪的鸟儿诞生了。它帮助九能成为足以打败任何对手的强者。争强好胜的乱马无论如何都要挽回面子……本片根据高桥留美子的漫画《乱马1/2》改编，系该动画的剧场版第3部。

　　在新奥尔良的街道上，关于神秘新药丸的消息开始传播开来，这种药丸可以解锁每位使用者独特的超能力。但问题是：在服用之前，没人知道用药后会发生什么。一些人会进化出防弹皮肤、隐形能力和超强力量，也有很多人会表现出更致命的反应。但是，当药丸使城市内的犯罪升级到危险水平时，当地警察（约瑟夫·高登-莱维特饰）与一名少女小贩（多米尼克·菲什巴克饰）和誓报私仇的退伍士兵（杰米·福克斯饰）联手以硬碰硬，他们冒着服用药丸的风险，以追踪并制止制造出该药丸的团队。

作为程序员工作的职场妈妈米拉，11岁的儿子东明突然被判定为“1型糖尿病”，受到冲击。医生说她一辈子都要注射胰岛素，对此她感到绝望，但她忍住眼泪站了起来。米拉活用自己曾是工程学专业的专业，引进国内未上市的连续血糖测定仪，给东明戴上，并联动监护人远程监测血糖。有采血恐惧的东明使糖尿病管理变得容易，米拉的家人从低血糖休克的焦虑中解放出来。在环友会会员的请求接踵而至后，米拉开始告诉孩子们如何直接进口并联动连续血糖测定仪，以帮助他们和儿子遭受同样的疾病。但是，米拉被指控是未经许可的非法医疗器械，在没有通关的情况下进口，没有交税。……为了家人，为了欢友会，她与世界对抗的故事将展开。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.